We expect Budapest to imprint itself of people’s memories, but this surprised us. Bleekrode is entirely self taught, which makes the feat all the more amazing. Our curiosity peaked, we contacted the artist, who made himself available to answer a few questions in a recent interview with Flatpack Films.
FPF: What about Budapest appealed to you as an artist?
In terms of artistic appeal, I find Budapest a fascinating city because, unlike most other cities in Europe, it is truly impressive, beautiful and distinctly different. The wide Danube crossing through the city in a gentle curve defines Budapest's two sided appearance, hilly, historic and green on the Buda side and imposing, stellar and energetic on the Pest side. In between a number of beautiful bridges connects these two halves. In particular Pest stands out for me as one massive monument to the great economic and artistic revival of the 2nd half of the 19th century, nowhere this seems to be more visible and so well retained as in Budapest. The combination between delicate, shapely and so often original architecture and the strict geometry of the city's layout I find most appealing for my work.
FPF: How did you train your memory to draw such complicated scenes? Or do you just have a photographic memory?
By focusing so strongly on the visible world around us and using this collected bulk of information in my artwork, I am convinced this trained my memory and made it easier for me to see and retain more details than let's say ten years before. But I always preferred images over written stuff or sounds, as a child I loved looking at picture books but didn't care very much about novels or music. Later on however I realised I could use my 'pictoral' memory also to memorise place names or to learn languages with greater ease. Even Hungarian doesn't seem to daunting for me!
FPF: Have you ever gone back and compared your pictures to the actual view?
Certainly, but I never intend to make an exact replica of existing cities, much more it's a composite view, an amalgamation of many impressions to recreate as truthfully as possible what I enjoyed and how a felt a bout a certain place. But I'm working on a Budapest at Night picture and that one must be fairly realistic.
FPF: How did you find Budapest as a city, independent of your artistic endeavor?
Budapest very much seems to me like some kind of boomtown again, it's very energetic, much more so than many (better known) cities in western Europe. Which greatly surprises me every time I go there because it's the capital of a fairly small country nowadays. Other than that I find it very safe, functional and surprisingly liveable for a city of 2 million. And to me it feels relaxed as well, mainly because of the spa's I suppose. On the downside there's a lot of work that still needs to be done, some areas remain a bit grim but I'm convinced it will look great in the future as well.