Location Spotter: Liszt Ferenc Music Academy
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You may know him by the more commonly used name Franz Liszt, but he was born Liszt Ferenc in Rajka, Hungary. Composer Liszt Ferenc is a celebrated figure in Budapest, having played a significant role in forming the city’s cultural identity. In central Pest one can find Liszt Ferenc Square, a row of well-touristed restaurants and cafes that border a quiet park. On a prominent corner of the square, you can also find the world-renown Liszt Ferenc Zeneművészeti Egyetem, or, the Franz Liszt Music Academy.
Founded in 1875, the location serves as both a conservatory and concert hall. Often overlooked in favor of the flashier Hungarian State Opera House, the smaller music academy has plenty to offer those looking for a visually stunning example of classical Central Europe. Keeping with the Hapsburg-era style, the exterior is one of the most striking examples of Art Nouveau in central Pest. The interiors are intricate and warm, decorated with frescoes and Zsolnay ceramics. Done in gilt and green, with statues of Béla Bartók and Frédéric Chopin, the main reception hall has a feeling of Moorish or Ottoman luxury. The building is home to two music halls, one large and one small, and throughout the daylight hours you can hear the music of the conservatory students and concert rehearsals trickle through the windows, making the building of the most charming spots in the city.
Some interesting facts about the Liszt Ferenc Music Academy:
Due to a governmental exchange program with Japan, a number of Japanese musicians study at Liszt Ferenc.
It used to have stained glass windows by famed designer Miksa Róth, though these were destroyed.
Famous alumni include: Béla Bartók, Sir Gerog Solti, Zoltán Kodály, and Georges Cziffra.
The original Liszt Ferenc Academy wasn’t in this grand building, but in Liszt Ferenc’s own apartment.
Below find a video that captures some of the nice exterior details of the building, as well as the statue of Liszt Ferenc that sits on the square that bears his name.
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